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What Darkness Brings Page 19
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“What kind of interests?”
But Perlman simply shook his head and said, “You’ll see.”
“I don’t get why this nephew fellow ’as suddenly up and decided to be all cooperative like,” said Tom as Sebastian turned his horses toward Holburn.
“Perhaps because he’s afraid that whoever killed his uncle might try to kill him too.” Sebastian guided his horses around a brewer’s wagon drawn up before the pub at the corner. “Or it could be because he killed his uncle himself, and now he’s afraid he’s got Napoléon’s agents after him. Fear can be a powerful motivator.”
Tom opened his eyes wide. “Ye reckon ’e might be next?”
“It’s certainly possible. We seem to be dealing with some decidedly lethal-minded people.”
Tom lapsed into a thoughtful silence but broke it only a few minutes later, saying, “What ye expectin’ to find in that old house? Ye already been there twice.”
“True. But my previous ventures were both interrupted.”
“What ye think ye mighta missed?”
“At this point? Far too much.”
Sebastian was raising his hand to rap Eisler’s tarnished knocker when the door was jerked open and held wide by a beaming Campbell.
“I’ve just received Mr. Perlman’s message,” said the aged retainer with one of his trembling bows. “And may I say, my lord, how thrilled I am to be allowed to assist you with one of your investigations? Positively thrilled.”
“Ah . . . excellent,” said Sebastian, stepping inside. He was beginning to realize that an overly enthusiastic witness could in its own way be as much of a problem as a stubbornly taciturn one.
Campbell beamed. “Where shall we start? The attics? The basement? The parlor?”
“How about back here?” said Sebastian, crossing the jumbled old hall to the low archway beside the stairs. Reaching out, he turned the handle of the first door on his left. It was still locked.
“Do you have the key to this room?”
“Unfortunately, no, my lord. Mr. Eisler always kept the key to this particular room. Neither Mrs. Campbell nor myself was ever allowed inside it.”
“When Mr. Perlman searched the house, did he have a key?”
“He did, my lord. I believe he discovered one in Mr. Eisler’s office safe. But I’m afraid he carried it away with him.”
“I see.” Sebastian took off his driving gloves and thrust them into a pocket. “Very well. Thank you. I’ll ring if I need you.”
Campbell’s face fell with disappointment. But he bowed with a sigh of resignation and tottered away.
Sebastian waited until the old man had shuffled out of sight. Then he removed from his pocket a set of metal shafts on a ring. It was called a picklock, a device with which Sebastian had become adept during his time as an exploring officer. It required only a keen sense of hearing and a deft touch, both of which Sebastian possessed. Easing the appropriate bent tip into the lock, he carefully slid aside the lock’s gates.
The door popped open.
The room beyond lay in near total darkness. Closing the door behind him, Sebastian crossed to the window to jerk open the thick curtains, then turned.
The chamber was empty except for a trunk and a long table upon which a small number of objects were neatly arranged. Unlike the rest of the house, this room was scrupulously clean, the walls freshly painted, the worn flagstone-paved floor well scrubbed. There was no rug. Instead, a design had been traced onto the floor with what looked like chalk.
His muscles oddly tense, Sebastian walked slowly toward it.
He was standing on the edge of an enormous circle superimposed on a square, with three smaller circles inside it. Four even smaller circles occupied what he suspected were the compass points, each containing a strange geometric symbol within it. More symbols were strategically placed between the second and third inner circles, along with what looked like a verse written in a strange script. At the very center of the figure stood an earthenware vessel filled with burnt charcoal; the scent of frankincense and aloe, vervain and musk hung heavy in the air.
Sebastian felt a faint, inexplicable chill run up his spine.
Turning, he let his gaze rove over the objects laid out on the long, narrow table. Two knives, one with a white hilt, the other with a black hilt, lay beside a short lance. The tips of all three were stained dark with what looked like blood. Beside the blades rested a trumpet flanked by two white candles.
Frowning, Sebastian went to throw open the lid of the trunk and found himself staring at a white linen robe with a series of curious geometric symbols embroidered on the breast in red silk thread. Beneath the robe lay a pair of white leather slippers covered with more strange designs also in red, and a square package wrapped in black silk.
Opening it gingerly, he exposed a pile of snowy white, newly made vellum sheets. Each sheet contained a single figure composed of circles, symbols, and geometric forms similar to that on the floor, but differing in subtle ways. Some were drawn in brilliant blues and reds, others in gold and green or black and silver. He flipped through them, pausing at one in particular that seemed to both repel and attract him at the same time.
At its center lay what looked like a spinning disk within a triangle. Around the triangle were drawn two circles, one within the other, between which was written what looked like a verse. He hesitated a moment, then rolled the parchment like a scroll and thrust it inside his coat. Replacing the remainder of the vellums and the white garments, he lowered the lid of the chest and went to close the curtains.
He found himself wondering what Samuel Perlman must have thought when he first unlocked the door to this room. Or had Perlman already known of his uncle’s peculiar interests before he began searching the house on Fountain Lane?
Sebastian shut the door behind him, then went in search of the aged butler.
With a deliriously excited Campbell once more at his side, he examined the rest of the house, from the attics and dusty, crowded bedrooms down to the kitchen basement. But his search was perfunctory, for he had no real expectation of finding anything.
Men like Daniel Eisler did not give up their secrets easily.
Chapter 36
T
he little girl looked to be eight or nine years old, although she told Hero she would be twelve the week before Christmas. Hero was beginning to realize that she was hopeless when it came to estimating children’s ages.
A plain child named Elsie, she had small, unremarkable features and a habit of frowning thoughtfully before she answered each of Hero’s questions. Her nondescript hair was braided inexpertly into two plats that stuck out at odd angles from her head, while her faded navy frock was hopelessly tattered, with large, triangular rents that someone had tried to repair with big, crooked stitches. But her face was surprisingly clean, and she wore a cotton bonnet tied around her neck with ribbons. She’d pushed the bonnet off her head, so that it bounced about her shoulders every time she dropped a curtsy—which was often.
“I been sweepin’ nine months now, m’lady,” she told Hero with one of her bobbing curtsies. “Me mother died last year, you see. She used to bring in money making lace, and now she’s gone, me da can’t make enough to keep us.” She nodded to the two small children, a boy of about three and a girl of perhaps five, who sat on the steps behind her playing with a pile of oyster shells. “I gots t’ bring the little ones with me when I sweeps, which scares me, ’cause I’m always afraid they’re gonna run out in front of a carriage when me back is turned.”
Hero watched a stylish barouche drawn by a team of high-stepping bays dash up the street and knew an echo of the little girl’s fear. Children were always being run over and killed in the streets of London. She cleared her throat. “What does your father do?”
Elsie dropped another of her little curtsies. “He’s
a cutler, m’lady. But the work’s been slow lately. Real slow.”
“And was it his idea that you take up sweeping?”
“Oh, no, m’lady. I got the idea all by meself. At first I tried singing songs. I could get four or five pence a day for singing—even more on Saturday nights at the market.”
“So why did you give that up?”
“I only knows a few songs, and I guess people got tired of hearing ’em, because after a while, I wasn’t makin’ much at all. If I could read, I could buy some new ballads and sing ’em, but I ain’t never been able t’ go t’ school on account of having to watch the children.”
“Would you like to go to school?”
A wistful look came over the child’s small, plain features. “Oh, yes, m’lady. Ever so much.”
Hero blinked and looked down at her notebook. “And how much do you make sweeping at your crossing?”
“Usually I takes in between six and eight pence. But I can’t come in really wet weather, on account o’ the little ones.” Another carriage was rumbling down the street toward them, and Elsie cast a quick, anxious glance at her siblings.
“How long do you find your broom lasts?”
“A week, usually. I don’t sweep in dry weather. The take is always bad on those days, you know. So when it’s dry, I go back to singing.”
“That’s very clever of you,” said Hero, impressed. All the boys to whom she’d spoken had also complained about the poor “take” in dry weather. But Elsie was the first crossing sweep she’d found who thought to do something else on those days. “What time do you usually come to work?”
“Well, I try to get here before eight in the morning, so’s I can sweep the crossing before the carriages and carts get thick. They scares me. I always try to stand back when I see one coming.”
“And how late do you stay?”
Elsie frowned thoughtfully. “This time o’ year, usually till four or five. Me da wants me home before it starts gettin’ real dark. So I can’t stay out late like the boys.”
“Who gives you more money? The ladies or the gentlemen?”
“Oh, the gentlemen almost always gives me more than the ladies. But there’s an old woman what keeps a beer shop, just over there.” She nodded across the narrow street. “She gives me a hunk o’ bread and cheese every day for tea, and I shares it with the children.”
Hero checked her list of possible questions. “What do you see yourself doing in ten years’ time? Do you think you’ll always be a crossing sweeper?”
“I hope not.” Elsie glanced back at the two children now following the progress of a bug along the steps. “Once Mick and Jessup gets big enough to look after themselves, maybe I could get a situation as a servant in a house. I’d work hard—truly, I would. Only, you can’t get a situation without proper clothes, so I don’t know how that’ll ever come to pass.” She smoothed one anxious hand down over her tattered skirt.
Hero smiled. “Did you mend your dress yourself?”
“No, m’lady. Me da did that. He braids me hair every morning too, b’fore he goes out lookin’ for work.”
Simple words, thought Hero. But they transformed the unknown father from some unfeeling monster who sent his little girl out to sweep the streets into an impoverished man doing the best he could to care for his young children without a wife. She pressed a guinea into the girl’s small hand. “Here. Get yourself and the children something to eat, then go home for the day.”
The little girl’s nearly lashless eyes grew round with wonder, and she dropped another of her bobbing little curtsies. “Oh, thank you, m’lady.”
Hero was watching the children run off, hand in hand, when a frisson of awareness passed over her.
She turned her head to find Devlin walking toward her, the fitful afternoon sun warm on his lean, handsome face, his movements languid and graceful and sensuously beautiful. And it struck her that there was something so deliciously wicked about a woman enjoying the mere sight of her husband in broad daylight that the Society for the Suppression of Vice would probably outlaw it, if they could.
“You can’t save them all, you know,” he said, coming to stand beside her, his gaze on the running children. “There’s too many of them.”
“How did you know what I was thinking?”
“I was watching you. It’s written all over your face.”
“Ah. I’m beginning to wonder if it’s the baby that’s turning me into such a maudlin sentimentalist. Whatever you do, don’t tell Jarvis. He’d be scandalized.”
Devlin laughed out loud. “Your secret is safe with me.”
They turned to walk toward her waiting carriage. “Were you looking for me for some reason in particular?”
“I was. I’ve something I’d like to show your Miss Abigail McBean. Care to introduce me to her?”
“Of course. What is it? Another manuscript?”
He shook his head. “Something that I suspect is far more sinister.”
“It’s called a magic circle,” said Abigail McBean, holding the unrolled vellum with hands that were not quite steady. Sebastian and Hero were seated in Abigail’s crowded little morning room, with its towering shelves overflowing with manuscripts and learned texts on magic, alchemy, and witchcraft. “Where did you get this?”
Devlin said, “I found it along with a number of others in a chest in Daniel Eisler’s house.”
She looked up at him. “You say there were many?”
“Yes.”
“So what made you choose this particular one to bring to me?”
Hero watched in bemusement as a faint hint of color touched her husband’s high cheekbones. “That I’m afraid I can’t fully explain. At the risk of sounding fanciful, this one seemed more powerful . . . almost menacing.”
“That’s because it is. In fact, I’d describe it as downright nasty.” Rising to her feet, she went to select a volume from her shelves and brought it back to lay it open on the table before them. On the page was an almost identical figure. “This circle is known as the fourth pentacle of Saturn.”
Devlin looked up at her and shook his head. “What does that mean?”
“In magic, there are seven heavenly bodies, each of which rules its own day and certain designated hours within the day. Operations—which is what ‘magic spells’ are called by those who practice them—are thought best performed on the hour and day ruled by their relevant planet. The sun is considered the realm of temporal wealth and the favor of princes; Venus governs friendship and love, while Mercury is devoted to eloquence and intelligence. The moon is the planet of voyages and messages. The hours and days of Jupiter are best for obtaining riches and all you can desire, while Mars is for ruin, slaughter, and death.”
“And Saturn?”
She met his gaze squarely. “The hours and days of Saturn are for summoning souls and demons from hell.”
“Nice,” said Devlin.
Abigail pointed at the Hebrew words printed around the sides of the triangle. “This is from Deuteronomy, chapter six, fourth verse, and reads, ‘Hear, oh Israel; the Lord our God is one Lord.’”
“The Bible?” said Hero in surprise. “Are you telling me this nasty old man was performing magic spells while quoting the Bible?”
Abigail nodded. “Most of the grimoires contain biblical verses. The Bible has long been considered a source of powerful magic.” She traced the strange writing around the circle. “See this? It’s from the Psalms. It reads, ‘As he clothed himself with cursing like with a garment, so let it come into his bowels like water, like oil into his bones.’”
Devlin frowned. “What alphabet is that?”
“It’s an alphabet of twenty-two letters called the transitus fluvii. It’s found in Heinrich Cornelius Agrippa’s sixteenth-century grimoire, Third Book of Occult Philosophy,
although I don’t know if it originated with him. Basically I guess you could call it an occult alphabet.” She sank back into her chair. “The items on the table you described would be used for various magic rituals or operations. The short lance is supposed to be dipped in the blood of a magpie, while the knife with the white hilt is dipped in the blood of a gosling and the juice of the pimpernel.”
“And the knife with the black hilt?” asked Hero.
Abigail glanced over at her. “A knife with a black hilt is only used to summon evil spirits. It’s dipped in the juice of hemlock and the blood of a black cat.”
“Oh, God,” whispered Hero. “That’s what the cat was for.”
“And it explains why Eisler kept all those birds,” said Devlin, picking up the vellum to study it again.
Abigail nodded. “They would also have been used for sacrifices. White animals and birds are typically sacrificed to good spirits, and black to evil spirits.”
“He did seem to favor the black,” said Devlin.
Abigail laced her hands together in her lap so tightly the knuckles showed white. She looked like a simple, red-haired spinster, prim and plain—until one remembered she was surrounded by texts on magic and the darkest secrets of the occult. “He was not a nice man,” she said, her voice oddly strained, tight. “I’m glad he’s dead.”
“You sound like Hero,” said Devlin, looking up.
“He caused great harm and unhappiness to many. True justice is rare in this world, but this time, at least, I think we have seen it in action.”
“Unless an innocent man hangs for his murder.”
Abigail’s anger seemed to drain away, leaving her looking troubled. “You will be able to prove that this man Yates is innocent, won’t you?”
“I don’t know.” Devlin carefully rolled the white sheet of vellum. “You said this is called the fourth pentacle of Saturn. What is it used for?”
“Operations of ruin, destruction, and death.”
“I wonder whose death he was trying to cause,” said Hero.