When maidens mourn ssm-7 Read online

  `Did she think you owed it to your betrothed, Miss Goodwin, to warn her that you might also share the family affliction? Is that why you rode into town to talk to her? And when you told her you wanted her to shut up and keep it a secret, did she threaten to tell Miss Goodwin herself?' Sebastian took another step.

  `Is that when you killed her?'

  `I'm warning you, stay back!' Hildeyard cried, the gun shaking in his hand as he swung the barrel away from the boy, toward Sebastian. `She was going to destroy my life! My marriage, my career, everything! Don't you see? I had to kill her.'

  For one fleeting moment, Sebastian caught George Tennyson's frightened gaze. `And the boys?'

  `I forgot they were there.' Hildeyard gave a ragged laugh, his emotions stretched to a thin breaking point. `I forgot they were even there.'

  Sebastian was watching the man's eyes and hands. He saw the gun barrel jerk, saw Hildeyard's eyes narrow.

  Unable to throw his knife for fear of hitting the boy, Sebastian dove to one side just as Hildeyard squeezed the trigger.

  The pistol belched fire, the shot going wide as Sebastian slammed into the raw, muddy earth. He lost the knife, his ears ringing from the shot, the air thick with the stench of burnt powder. He was still rolling to his feet when Hildeyard threw aside the empty gun and ran, crashing into the thick underbrush.

  `Take the gig and get out of here!' Sebastian shouted at the boy, and plunged into the thicket after Hildeyard.

  Sebastian was hampered by his heavy wet clothes and stocking feet. But he had the eyes and ears of an animal of prey, while Hildeyard was obviously blind in the darkness, blundering into saplings and tripping over roots and fallen logs. Sebastian caught up with him halfway across the small clearing of the sacred well and tackled him.

  The two men went down together. Hildeyard scrabbled around, kicked at Sebastian's head with his boot heel, tried to gouge his eyes. Then he grabbed a broken stone from the well's lining and smashed it down toward Sebastian's head. Sebastian tried to jerk out of the way, but the ragged masonry scraped the side of his face and slammed, hard, into his shoulder.

  Pain exploded through his body, his grip on the man loosening just long enough for Hildeyard to half scramble up. Then Sebastian saw George Tennyson's pale face looming above them, his jaw set hard with determination, the blade of his shovel heavy with caked mud as he swung it at his cousin's head.

  The flat of the blade slammed into the man's temple with an ugly twunk. Tennyson went down and stayed down.

  Sebastian sat up, his breath coming heavy. `Thank you,' he said to the boy. He swiped a grimy wet sleeve across his bloody cheek. `Are you all right?'

  The boy nodded, his gaze on his cousin's still, prostrate body, his nostrils flaring as he sucked in a quick breath of air.

  `Did I kill him?'

  Sebastian shifted to rest his fingertips against the steady pulse in Hildeyard's neck. `No.'

  Stripping off his cravat, Sebastian tied the man's hands together, then used Hildeyard's own cravat to bind his ankles, too. He wasn't taking any chances. Only then did he push to his feet. His shoulder was aching, the side of his face on fire.

  George Tennyson said, `I still don't understand why he killed her. She was his sister.'

  Sebastian looked down into the boy's wide, hurting eyes. He was aware of the wind rustling through the leaves of the ancient grove, the raindrops slapping into the still waters of Camelot's moat. How did you explain to a nine-year-old child the extent to which even seemingly normal people could be blindly obsessed with fulfilling their own personal needs and wants? Or that there were those who had such a profound disregard for others even their closest family members that they were willing to kill to preserve their own interests?

  Then he realized that was a lesson George had already learned, at first hand; what he didn't understand was how someone he knew and loved could be that way. And with that, Sebastian couldn't help him.

  He looped an arm over the boy's shoulders and drew him close. `It's over. You're safe, and your brother's safe.' Inadequate words, he knew.

  But they were all he had.

  Chapter 51

  Saturday, 8 August

  Gustav Pelletier sat on the edge of his hard bunk, his laced fingers tapping against his mustache.

  `You're going to hang anyway,' said Sebastian, standing with one shoulder propped against the prison cell's stone wall. `So why not tell the truth about Arceneaux?'

  The tapping stopped. `You would like that, yes? So that you can make all tidy?' The hussar's lips curled.

  `Casse-toi.' Then he turned his face away and refused to be drawn again into conversation.

  Lovejoy was waiting for Sebastian in the corridor outside.

  `Anything?' he asked as the turnkey slammed the heavy, ironbound door closed behind him.

  Sebastian shook his head.

  They walked down the gloomy passageway, their footsteps echoing in the dank stillness. `If he did shoot Philippe Arceneaux,' said Sebastian, `he's going to take the truth of it to the grave.'

  Sebastian had already identified one of the recaptured French officers, a Lyonnais by the name of François LeBlanc, as the second of the two men who had jumped him that night in Covent Garden. The man confessed that he and his fellow officer had attacked Sebastian out of fear the Viscount's persistent probing might uncover their escape plan. But the Frenchman swore he knew nothing about Arceneaux's death.

  Lovejoy sighed. `You think Arceneaux abandoned his plans to escape with his comrades for the sake of Miss Tennyson?'

  `I think so, yes.'

  `But then, why, once she was dead, didn't he reconsider?'

  `Perhaps he'd come to regret the decision to break his parole. Although I think it more likely because he suspected his comrades of killing the woman he loved. He said as much to me right before he was shot, only at the time I didn't know enough to understand what he was saying.'

  They walked out the prison gates into the brilliant morning sunlight. The rain had cleared the dust and filth from the city streets to leave the air blessedly clean and fresh. Lovejoy said,

  `I'm told the children's father, the Reverend Tennyson, has arrived from Lincolnshire. Fortunately, Hildeyard provided us with a full confession, so young George shouldn't need to testify against him.'

  `Thank God for that,' said Sebastian. The previous night, while they were waiting for Bow Street to reach Camlet Moat, Sebastian and the boy had sat side by side in the golden light of the lantern, the rain falling softly around them. In hushed tones, George had told Sebastian of how they'd been playing hide-and-seek that morning after church. Gabrielle was it and the two boys were hiding behind the heavy velvet drapes at the dining room windows when Hildeyard came barging into the house. Much of the argument between brother and sister had gone over George's head. But the confrontation had ended in the dining room, with Hildeyard grabbing the carving knife from the table in a fit of rage to stab Gabrielle.

  The boys had remained hidden, silent and afraid, until Hildeyard stormed from the house probably to fetch a gig. Then George grabbed Alfred's hand and ran to his friends the Gypsies.

  Lovejoy said, `To think the man went out every day looking for his young cousins. even posted a reward! I was most impressed with him. He seemed such an admirable contrast to the boys uncle.'

  `Well, unlike d'Eyncourt, Hildeyard sincerely wanted to find the boys and silence them. He might have made a great show of hiring men to comb the countryside around the moat, but he advertised the reward he was offering here in London and set up a solicitor in an office in Fleet Street to screen any information that might come in.'

  Lovejoy nodded. `The solicitor has proved most anxious to cooperate with us, for obvious reasons. Seems he received a tip yesterday from a wherryman who'd seen the two lads with the Gypsies. Of course, he claims he was utterly ignorant of Tennyson's real reason for wanting to find the boys.'

  `I suspect that he's telling the truth.'

  `One would hope
so. He also admits to having put Tennyson in contact with the ruffian who attacked you beside the Thames yesterday once again claiming no knowledge of Tennyson's purpose in hiring such an unsavory individual.'

  `A most incurious gentleman, if he's to be believed.'

  `He claims it's an occupational hazard.'

  `I assume he'll hang?'

  `Tennyson, you mean? I should think so.' Lovejoy paused to look back at the prison's grim facade. `Unfortunately, he insists he knows nothing about the death of the French lieutenant. I'd like to believe Pelletier or one of the other escaping officers was responsible. But I don't know. I just don't know.'

  He glanced over at Sebastian, the magistrate's brows drawing together in a frown as if he knew there was something Sebastian was keeping from him.

  But Sebastian only shook his head and said, `I wonder if the boys would be interested in a dog.'

  He came to Hero in the quiet of the afternoon, when the sun streamed golden through the open windows of her bedchamber and the breeze wafted clean and sweet.

  She was watching a small boy and girl roll a hoop along the pavement, their joyous shouts and laughter carrying on the warm breeze. She didn't realize she was crying until he touched his fingers to her wet cheeks and turned her to him.

  `Hero,' he said softly. `Why now?'

  The night before, she had insisted on driving out to Camlet Moat with Lovejoy and his men. The magistrate hadn't wanted her to come, but she had overridden his objections, impatient with every delay and tense but silent until they arrived at the old chase. Then, for one intensely joyous moment, her gaze had met Devlin's across the misty dark waters of the moat. But she had turned away almost at once to focus all her attention on the comfort and care of her dead friend's nine-year-old cousin.

  And she hadn't shed a tear.

  Now she laid her head against his shoulder, marveling at the simple comfort to be found in the strength of his arms around her and the slow beat of his heart so close to hers. She said, `I was thinking about Gabrielle. About how she felt as if she were missing out on all the joys and wonders that make life worth living. And so she gave in to her love for Lieutenant Arceneaux. And then she died because of it.'

  `She didn't die because she loved. She died because she was noble and honest and wanted to do the right thing, whereas her brother wanted only his own pleasure. Her choice didn't need to end in tragedy.'

  `Yet it did.'

  `It did, yes.'

  A silence fell between them. And she learned that the silence of a shared sorrow could also bring its own kind of comfort.

  His hand shifted in a soft caress. She sucked in a shaky breath, then another, and raised her head to meet his gaze. His lips were parted, the sunlight glazing the high bones of his cheeks.

  `Did you close the door behind you?' she asked, her voice husky with undisguised want.

  `Yes.'

  Her gaze still locked with his, she brushed her lips against his.

  `Good.'

  She saw the flare of surprise in his eyes, felt his fingers tug impatiently at the laces that held her gown. He said, `It's not dark yet.'

  She gave him a wide, saucy smile. `I know.'

  Later much later Sebastian lay beside her in a shaft of moonlight spilling through the open window. She raised herself on one bent arm, her fingertips skimming down over his naked chest and belly. He drew in his breath with a quiet hiss, and she smiled.

  `Is the offer of a honeymoon still open?' she asked.

  He crooked his elbow about her neck. `I think we deserve one, don't you?'

  She shifted so that her forearms rested on his chest, her hair falling forward to curtain her face, her eyes suddenly serious.

  `We can do better than this, Sebastian.'

  He drew her closer, one hand drifting to the small of her back.

  `In the end I'd say we worked quite well together.' He brought up his free hand to catch her hair away from her face. `But I think we can do better, yes.'

  And he raised his head to meet her kiss.

  Author s Note

  This story was inspired by Alfred, Lord Tennyson's haunting poem The Lady of Shalott, first published in 1833, then revised and republished in 1842. Tennyson himself was inspired by a thirteenth-century Italian novella, La donna di Scalotta.

  Gabrielle and Hildeyard Tennyson are fictional characters of my own invention, but the family of Alfred Tennyson was indeed plagued by epilepsy, alcoholism, and insanity. The poet's own father, a brilliant but troubled reverend from Somersby, Lincolnshire, was severely afflicted with epilepsy, and two of Alfred's brothers spent most of their lives in mental institutions. Alfred feared the family affliction his entire life, although to my knowledge I am the only one to suggest that this is the curse referenced in his poem. Alfred did indeed have an older brother named George, although he was born in 1806 and died in infancy.

  Alfred's uncle, Charles Tennyson d'Eyncourt, is much as depicted here; however, while he attended Cambridge and sent his sons to Eton, there is no actual record of him having attended Eton. Six years younger than Alfred's father, he was nevertheless named the heir of the Old Man of the Wolds when his elder brother began exhibiting signs of severe epilepsy at puberty. The animosity between the two households was intense, with the wealthy Charles ironically coming to look down upon his older brother's family as poor relations. Although he always denied it, Charles, too, suffered from a milder form of epilepsy. He did serve many years as a member of Parliament, although not until after the end of the Napoleonic Wars, and he did indeed change his name to d'Eyncourt, although his repeated attempts to do so were frustrated until 1835. I have moved the date of that name change up to avoid the confusion of too many Tennysons in the story. Later in life, d'Eyncourt bitterly resented his nephew's literary fame and was especially incensed when Alfred was made a lord (d'Eyncourt did finally achieve that honor himself, but much later in life). Charles's sister, Mary Bourne, is also a real figure, a dour, unhappy woman who found singular solace in the conviction that she would go to heaven while the rest of her family, particularly the Somersby Tennyson branch, suffered the everlasting torments of hell. I am indebted to Robert Bernard Martin for his groundbreaking study of the Tennyson family in Tennyson: The Unquiet Heart.

  Epilepsy, once also known as the falling sickness, was little understood in the nineteenth century and considered something shameful, to be kept hidden.

  In 1812, archaeology was still in its infancy, although some of the first excavations at Stonehenge were undertaken as early as the seventeenth century. Further work was carried out there in 1798 and 1810 by William Cunnington and Richard Colt Hoare.

  The legend that Arthur is not actually dead but will someday return to save England in her hour of need is real, hence his sobriquet the once and future king. For obvious reasons, this legend was the bane of unpopular British monarchs, who were repeatedly driven to try to convince their subjects that Arthur really was dead. The lack of a grave site complicated this effort, which may have led to the discovery of Arthur's burial site at Glastonbury Abbey in the twelfth century.

  Camlet Moat, once called Camelot, is a real place whose history is much as described here. It is now part of Trent Park, a country park open to the public, although the original eighteenth-century estate was named Trent Place. Over the years Trent Place went through many owners, several of whom instituted extensive remodeling projects. The amateur excavations on the island described here were actually carried out by two later owners, the Bevans during the 1880s and Sir Philip Sassoon in the early twentieth century. Curiously, the findings of those excavations are not reflected on the local council's information board currently in place at the site.

  The island has long been reputed to have an association with the grail maidens of old, and yes, Sir Geoffrey de Mandeville's ties to the site also are real, as are his strange relationship with the Templars and the tales of his treasure. The story that he drowned in the well on the island and still haunts it, protecting
his treasure, is indeed a local legend, although he actually died from an arrow in the head. Even the tales tying the highwayman Dick Turpin to the site are real; he frequently hid out at Camlet Moat during the course of his brief, ill-fated career. The numerous legends associated with the island can be found in various nineteenth-century works on the environs of London, including Jerrold's Highways and Byways in Middlesex, Thorne's Handbook to the Environs of London, and Lysons's The Environs of London. For a modern, more fanciful interpretation of the site, see Street's London's Camelot and the Secrets of the Holy Grail.

  The antiquarian Richard Gough was a real figure who did indeed live at Gough Hall near Camlet Moat. He left his library to Oxford, but not his collections, which were sold.

  In the 1990s, a local man named Derek Mahoney claimed to have found the leaden cross from Arthur's Glastonbury grave amongst mud dredged from an ornamental lake near Gough Hall. The local council claimed the find; Mahoney went to jail rather than surrender it, and then committed suicide. The cross, seen only briefly by the British Museum, again disappeared. It is assumed but has never proven to be a modern forgery.

  The system of billeting paroled French and allied officers around England is as described, albeit slightly more complicated. Although the concept of a gentleman's word of honor might seem strange to many today, paroled officers as gentlemen were given a startling amount of freedom. Many began businesses, married British women, and had children. The British government even allocated them a half-guinea-a-week allowance. Their restrictions were few: a curfew, a circumscribed location within which movement was allowed, an injunction to obey the laws of the land and to communicate with France only through the agent appointed by the Admiralty. From 1809 to 1812, nearly 700 paroled officers tried to escape, of whom some 242 were recaptured. The calico printer's cart described here (basically a closed cart of a type typically used by tradesmen who printed designs on cloth) was one of the ruses used in an escape attempt in the summer of 1812.